History in Film :: Movie Film Movies History Essays

History in Film Introduction 1 Who owns history? When limning a historical figure, specifically a female figure (of which on that point is a distinct lack due to either scarcity of globe or insufficiency of acknowledgment in society), lease has a tariff to accurately represent the historical figure whose reputation is at s get down. As a medium relating past to present, film possesses the incredible capacity to take ownership of history the director holds the key to making history accredited or reel. Film has the power to exalt or distort historical figures to start the mold of present day ideals. Maria Luisa Bemberg, director of Yo, la Peor de Todas (I, the Worst of All), embraces history and film in an attempt to bring knowledge to the public. However, this movie has yet to infiltrate mainstream western culture in the unite States or abroad. In contrast, Luc Besson, director of The Messenger The Story of Joan of swerve, manipulates the story of Joan of Arc to fi t the demands of a culture that feeds on action-packed, blood-gushing movies. We will take a look at both these directors, the films, how the films present their characters, what manipulation in film does to influence peoples idea of the historical figures, and how the movies are created to fit present-day ideals. History of Directors and Film Intro 2 Herself involved in a field not known for women of her time, Argentinean director Maria Luisa Bemberg tackles the biography of Sor Juana Ins de la Cruz, a narrative much like her own. exploitation up during the 1920s in upper-class Buenos Aires, Bemberg never acquired a mellow school or college diploma but received an informal cultivation under the guidance of a governess. Surviving in an age in which men still held the dominant hand, Bemberg lived out the first three decades of her crowing life a married woman raising four children and suppressing a lifelong dream of delving into film. But at the age of 56, after passing th rough a divorce and becoming a grandmother, Bemberg caves in to the beshrew of an inquiring mind and creates films that document women that are vertical, autonomous, independent, thoughtful, courageous (Bemberg as quoted in Bach). After having her lifes path determined for her by her arrogant father and after being stifled by her older brothers, Bemberg is subject to relate to Sor Juanas struggle to find an open forum for her parting to be heard.