Horror Versus Terror in Gothic Literature Essay -- Gothic Literature

Horror Versus Terror in Gothic belles-lettres Gothic literature can be described as literature that is used to terrify slew by portraying situations that border among reality and unreality. The purpose of Gothic literature is to terrify people, not to depress them. The definition of horror and nemesis is often misunderstood, many people mean they have the same meaning. Devendra Varma, in the Gothic Flame described the release between these delivery as an awful apprehension and sickening realization. A situation that is horrifying is usually described very distinctly. It usually deals with something that is fantastic and may be so appalling that is it unrealistic. It gives an exact portrayal of what is existence described, usually by physical characteristics. Its intention is to appall and scargon the indorser. A situation that is terrifying is also used to frighten the reader, but it alternatively suggests something that will happen instead of describing it exactly. It al lows the readers imagination to determine the story so that there is a sense of uncertainty. It seems to give a tint of catch instead of an alarming feeling as with horror. William Faulkner, in That Evening cheerfulness, uses the distinction between the words terror and horror to portray Jasons, the child, feelings of terror concerning racial differences by creating a situation that would be terrifying to the reader. The feeling of terror, similar to the terror that Jason feels about race, is exemplified several times throughout the story. Faulkner wants the reader to understand the meaning of terror so that they understand Jasons terror. He in particular utilizes sound to terrify the reader. One night we waked up, hearing the sound. It was not recounting and it was... ... the possibility of creation put in their position. The difference between the words terror and horror is essential to the understanding of That Evening Sun as Gothic literature. Varma further explains this distinction by saying, Terror thus creates an impalpable atmosphere of spiritual psychic dread, a certain superstitious tickle at the former(a) world. Horror resorts to a cruder presentation of the macabre by an exact portrayal of the physically horrible and revolting, against a far much terrible background of spiritual gloom and despair. Faulkner uses the definitions of these words to communicate that people who are prejudice are not scared of people from other backgrounds because of what they look or act like. They are instead terrified of being treated like they are treated. They are also terrified because they are uncertain of what makes them so different.